PJ-TAT-05-A Architect Table by Pierre Jeanneret, 1956

Although delicate in its appearance, this piece was designed from a constructive, pragmatic point of view. The relationship between different shapes ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and harmony create a unity. This table is foldable. The tabletop is carried on four A-shaped structures which are interconnected with horizontal bars. The top is massive and all parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. In spite of its workshop table appearance, I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural material and warm colour. As a desk, it finds its place in both office and home environments. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 579.